When information and explanations
slow the story’s pace, or
bore or frustrate readers
writers need to hear, “Much information and explanations
shouldn’t be told through author intrusion,
can be fed in a little at a time,
can be given without head hopping, and
should be shown through actions and dialogue.
Here’s an example.
Information and Explanation Overkill
“How are you today, Todd?” CNA Cassie, her title meaning Certified Nursing Assistant, said to nursing home resident, Todd, a thirty-year-old man who’d been in Serenity Nursing Home since his car accident a month ago.
“No worse than yesterday.” Todd hoped Cassie would deliver his breakfast and leave. He didn’t feel like talking.
Todd was missing one leg below the knee and the opposite hand. After he’d seen his girlfriend enter a restaurant with his business rival, he’d texted her while driving. The rescue squad had to cut him out of his wrecked car.
Todd’s therapist would arrive soon. Danny had become his friend and watched TV with him after his shift.
CNA Cassie set his tray on his roll table, the kind all nursing home rooms had. “Todd, you need to eat more.” She’d checked with the nurse and learned he’d lost ten pounds because he ate less.
She was drawn to Todd and had enjoyed bantering with him until he’d stopped about a week ago. She’d thought he liked her more than a CNA or a friend.
She removed his comb from his bedside table drawer, but when she tried to comb his hair Todd stopped her with the arm that still had a hand.
Why’d Cassie always have to do things for him? She knew he could comb his hair with his right hand.
Cassie, downcast, but wanting to show she didn’t care he’d pushed her away, grabbed his laundry bag and left the room.
- Choose only Cassie’s point of view because the scene’s main purpose is to show Cassie’s feelings for Todd.
- Save how Todd lost his limbs for a later scene to add suspense and boost a sagging story middle.
- See below. I’ve deleted unnecessary information and explanations and worked other information into Cassie’s thoughts and dialogue to get the story moving.
Certified Nursing Assistant Cassie carried a breakfast tray into Carl’s room and smiled. “How are you today, Carl?”
“No worse than yesterday,” Carl mumbled.
Cassie rolled her eyes. Every day for the last week, he’d been grumpier than the day before. If only Carl understood missing a hand and a leg below the knee didn’t make him a freak.
He thumbed the bed control device and raised himself to a sitting position. His arm stub nudged the TV remote aside on the roll table.
Cassie set the tray in front of him and opened his milk carton. “Your therapist is scheduled for ten.”
“Don’t you think I know that? Danny’s the only one I can stand around here.”
Cassie forced her smile to remain as she unsheathed his straw. “Try to eat more this morning.” She inserted the straw into the carton. “You need to gain your weight back.”
Why wouldn’t he look at her? In the first weeks, their banter had been fun. For a good-looking guy of thirty, he could have an enjoyable life. When Serenity Nursing Home released him, she’d gladly date him.
“During my afternoon break, would you like me to wheel you around the garden?”
He stabbed a sausage link. “No.”
“I thought you enjoyed the walks. Would you go if someone else took you outside?”
He met her gaze as he bit off the end of the sausage. “It’s not you. I just prefer my own company.”
Her heartbeats fluttered. She wasn’t his problem. Maybe with time …
She glanced at his unruly dark curls. How she’d love to touch them. She removed his comb from the bedside table. “Let’s make you presentable for your own company.”
He pointed the fork at her. “Don’t. I can comb my own hair.” He directed the fork toward the door. “Just go.”
A knot formed in Cassie’s throat. No way would she let him see he’d hurt her. She grabbed his laundry bag and left.
How to handle explanations and relay information in your story. Click to tweet.
Look at one of your scenes. How did you relay information?
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Zoe, this one is great and helpful to me because I just had a story rejected because of — you guessed it — TMI in the first three chapters. Worth learning how to do right!
It’s especially hard in sequels, because you have to weave in the FIRST story along with the Current story.
A lot to think about…
Kathy, I hope you can get the TMI fixed quickly and get your story back out there. I had a rejection for an unlikeable character. After a few rewrites, the publisher contracted it.