9 Techniques to Foreshadow a Truth or Event

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Well done foreshadowing won’t ruin the surprise. The device adds suspense and tension to the story, building anticipation for the reader. Foreshadowing can help readers understand what happens later. Everything finally makes sense. Thus, it can facilitate the believability of later truths or events.

Foreshadowing can be subtle or direct. Sometimes it’s a clue at the beginning of a story to denote the theme.

Foreshadowing Elements and Examples of the Techniques

 

  1. An event early in the story that’s similar to a later event.

A mother furiously knits her three-year-old son a sweater, ignoring mistakes, and making him wear the lopsided, unraveling garment. His haphazard upbringing by his controlling mother unfolds.

  1. A passing comment or action.

Jess sits on the porch, watching the Johnsons leave for work. Their teenage son bounds down the front steps, gives a little wave to his house, and walks to school. Days later after the Johnsons have gone, Jess sees a light go on in their basement and calls the police. The son has harbored a runaway teenage girl.

image by Pezibear

  1. A situation that only makes sense later.

Shortly before his death, Grandfather gives his 8-year-old granddaughter a book on aerodynamics, telling her to read it for the mystery. Years later, before she tosses the book, she looks for a mystery one last time and discovers a code that leads to a fortune.

  1. Flashes of suppressed memories.

In Candice’s flashbacks, lightning flashes reveal a man digging in a field. Later, she makes a long overdue visit to her terminally ill mother. Candice has a panic attack when her childhood window’s view is the field in her flashbacks and a tree grows where the man was digging.

  1. Changes in mood.

Ever since Angie came up behind Brad and hugged him as he read a newspaper article about a missing girl, she’s barely spoken. She sits with their toddler and stares at cartoons. Later, the police come to question Angie about the missing girl from the school where Angie teaches.

image by PublicDomainPictures

6. A prophecy.

A homeless man approaches Sallie and says, “The children need your strength and faith.” The man’s words haunt her. She becomes more involved in her church and faith. Later, she chaperones teens on a mission trip to a foreign orphanage. The area floods. She and the teens lead fifty children to higher ground.

  1. Direct information.

Headstrong Zina receives an anonymous note. DON’T GO TO WORK THURSDAY. All week, she alternates between anger and fear. Thursday, she calls in sick, then refuses to let the note control her. Driving in an hour late, she sees the building suddenly blow sky high.

 

image by Christopher Pluta

  1. Changes in the weather.

Ann steps out onto the deck and leaves the door ajar to hear the baby. The wind whips up and blows a gnarled dead leaf up from the deck and through the door’s opening. Later, the baby is gone.

 

  1. An object a character subtly reacts to.

Oddly, a tiny twig protrudes from Mama’s bracelet lying next to the sink, where she leaves it to wash dishes. Later, Mama’s body is found in the woods.

9 techniques to foreshadow truths and events in your story. Click to tweet.

Any other ways to foreshadow a later event?

Is Writing Flash Fiction for You?

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How many words are allowed?

From my research, the suggested word counts for flash fiction in this electronic reading age were:

  • Less than 1,500
  • 300-1,000 (10-300 is micro fiction)
  • 100 – 1,500
  • Up to 100

What are the elements that must be included in flash fiction?

  • image by RyanMcGuire

    Beginning, middle, and end
  • Characters, setting, and predicament
  • Struggles, conflict, resolution

So, flash fiction requires everything a novel provides. Jesus’ parable of the unforgiving servant in Matthew 18:23-35 is a good example of early flash fiction.

How does one write flash fiction?

Flash fiction writers depend on these skills:

  • Focusing on one theme.
  • Setting the stage with an image that hints at the story.
  • Limiting characters.
  • Revealing the setting through the characters actions.
  • Starting in the middle of the action with a strong predicament.
  • Designing the holes or left-out words to be as important as the included words.
  • Employing indirect means to get ideas across.
  • Letting the reader fill in the blanks.
  • Compressing wordiness into strong verbs and nouns.
  • Worsening the situation
  • Keeping up the suspense.
  • Giving the epiphany before the ending.
  • Resolving the situation
  • Finishing with an emotional punch—not necessarily a gotcha but an ending that causes the reader to continue to think about what’s happened.

 

image by Comfreak

Quick Tips:

  • Flash fiction is about a moment.
  • Be Subtle.
  • Readers like space on the page.

Here’s my flash fiction piece that made it to the finals in ACFW SF Bay Area’s Elevator Fiction Contest. We were allowed 250 words. I’ve revised it in response to judges’ comments.

Example

Gone

Derek winked at himself in the mirror. “You’re the man.”
He grabbed his keys. There lay the not mailed electric payment.
“Man!” He’d be lucky to have power tonight.
He jogged to his truck. Time for a stop at Julie’s? Oh, yeah. Then the post office. Then get him a cola and maybe get to work on time.
Julie’s mama opened the door.
“Hey, Mama Garth.”
“Don’t Mama Garth me. She’s gone.”
“Gone?”
“Do I need to spell it?”
“It’s spelled you’re irresponsible,” Daddy Garth shouted from inside.
Slam!
What’d made the Garths so grumpy? Derek pulled into the mini-mart.
“Hey, Derek! Hear you lost your woman,” Boyd yelled from the Rook table in back.
Fear niggled Derek’s gut. “What you been smokin’, Boyd?”
Jerry aimed a finger at Derek. “The truth, you fool.”
Was everybody crazy? He forced a grin. “Later, girls.”
Derek sped, gulping cola. No time to stop by Julie’s work. But he would.
The electric bill lay on the passenger seat.
Man! He gunned the truck, swerved into a lot, and braked alongside the red-white-and-blue mailbox as a mail van pulled away from it with Wednesday’s pickup.
Figured.
He flung the bill toward the slot. It hit metal and fluttered to the pavement.
“Blast!”
Outside the truck, Derek groped under the mailbox.
“Gotcha.”
He withdrew a pink envelope.
What the…? Addressee: Derek Williams. Sender: Julie Garth.
How long had it lain there?
He ripped it open.
Derek, no diamond on my finger by Tuesday, I’m gone.

Research, suggestions, and tips in writing popular flash fiction. Click to tweet.

What tip can you share for writing flash fiction?

Book Covers: Help in Creating or Giving Input for the Design

 

image by uhexos

What Is the Book Cover

 

  • Images: the artwork or photos
  • Words: the fonts of titles and content
  • Content: title, taglines, back-cover description, and bio
  • Blurbs: endorsements

 

Good Book Covers

 

A good book covers will:

  • be more than a lovely cover; it will communicate.
  • capture the essence of the story.
  • be a reader’s first interaction with an author’s story and style.
  • shape the store browser’s opinion of the story.
  • market and advertise the book.
  • be displayed on bookmarks, posters, book blogs, and other media.
  • make its observer wonder.
  • be created for the same audience as the story was written for.
  • vie for browsers’ and book buyers’ attention.
  • beg those perusing to take a second glance.
  • compete for the attention of busy book reviewers.
  • image by Unsplash

    have a nice balance between the images and words and fonts.
  • remain within the norms of its genre, but be noticeable.
  • symbolize what will gradually be more obvious to the reader as he reads the story.
  • portray the tone and genre, as well as mood and theme.

 

Why a Book Cover Works

 

  • A well-designed cover tells the browser that the content has value to the customer.
  • For first-time authors, a great cover will make up for anonymity.
  • Interesting, intriguing covers shout interesting and intriguing story (and vice versa).

 

What Is Used in Creating a Book Cover

 

  • Depending on what’s available, some notes, a synopsis, the manuscript, and/or information about the author to understand his style.
  • Information about the period, season, and setting.
  • An idea of the story’s tone and mood.
  • Example book covers or photos.
  • Listed items important to the story, such as people or animals; be specific as to the type.
  • Physical descriptions of the hero and the heroine.

 

image by waldryano

How Authors Are Involved

 

Sometimes authors are:

  • not afforded input.
  • asked for limited input.
  • sent mock-ups and asked to choose one.
  • ignored as to their input and choices.
  • wise to let the professionals do their job.
  • resigned to love or hate their covers.

 

When You’re Asked for Input, Take Advantage

 

  • Spend time in a bookstore and
    • notice what covers have interested browsers,
    • study covers in your genre that target your audience, and
    • evaluate what makes books stand out.
  • image by Kevin-K-Model

    Suggest colors to be used. Red, yellow, and orange are considered high-arousal colors and make items appear closer. Blue, green, and purple are low-arousal colors and make things seem farther away.
  • If you have a series, ask that certain words, fonts, or images be replicated to identify the book as part of a series.
  • When choosing example photos, remember simplicity outranks complexity. Unnecessary items are distracting.

Help in the creation or input for your book cover’s design. Click to tweet.

What in a book cover grabs you when you’re browsing?

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American Christian Fiction Writers

American Christian Fiction Writers

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