A Quick Guide: The Type of Edit You Need for Your Novel

There’s never been a text written that didn’t need editing.” —David Kudler

by WorkinghamLibraries

by WorkinghamLibraries

You’ve finished your manuscript. Wonderful. It needs to be edited. Below are four kinds of edits and what each most commonly accomplishes.

Ask prospective editors what they include in their edits. Some will combine editing types. Others will perform edits beyond their type when they see problems. Editors love books and want to help authors produce the best novel.

Developmental Edit

(Other terms: substantive edit, comprehensive edit, macro edit)

by DarkSinistar

by DarkSinistar

Developmental editors work with the author. They address high-level structural issues. They may address:

  • Plot, plot holes, subplots, and scope of story
  • Characterization, character arc, character believability, point of view problems
  • Voice, tone, style, and tension
  • Pacing, amount of backstory, and sagging middles
  • Lack of conflict, too much telling, information dumps, areas of confusion, inconsistencies,
  • Scene goals and whether a particular scene is necessary
  • Setting
  • Research

Line Edit

by PatternPictures

by PatternPictures

Line editors are concerned with readability, clarity, fluidity, writing style, and language use. They review the manuscript line by line and paragraph by paragraph. While preserving the author’s voice, they point out problems or make changes (through a “track changes” feature). They may:

  • Reorder, delete, add, or rewrite sentences, paragraphs, scenes, and chapters
  • Improve paragraph and sentence flow, smooth out awkward or wordy sentences, and change run-on sentences
  • Improve word choices, catch clichés and generalizations, enhance weak transitions, adjust pacing, and eliminate repetition
  • Tighten sentences, paragraphs, and dialogue
  • Point out inconsistent character behavior, confusing actions, passive voice, over-used words, too flowery writing, overuse of adverbs, and shifts in tone
  • Ensure language fits the author’s audience and dialogue is believable and consistent

 

Copy Edit

by PublicDomainPictures

by PublicDomainPictures

Copy editors perform technical work on manuscripts that are close to their final form. They make sure the details are correct. They’re concerned that the writing conforms to a style, such as the Chicago Manual of Style. They may do the following:

 

 

  • Correct errors in spelling, syntax, punctuation, and grammar
  • Ensure consistency in style throughout manuscript, e.g. in numerals, spelling (OK or okay), and capitalization
  • Point out nonfactual assertions, inconsistencies in character traits, and implausible statements
  • Look for possible problems with the use of brand names
  • Ensure proper manuscript format

Proofreading

by geralt

by geralt

Proofreaders make the last technical check of the novel. This is where the galley proof or electronic copy come in. Proofreaders may do the following:

  • Search for typos
  • Look for mistakes in spelling, punctuation, spacing, pagination, capitalization, use of numerals, and verb tense
  • Ensure earlier changes were made correctly

The order in which edits should be performed:

Developmental Edit ⇒ Line Edit ⇒ Copy Edit ⇒ Proofreading

 

Often, authors themselves, critique partners, and beta readers can perform Copy and Proofreading tasks. Critique partners and beta readers may also help with some Line editing.

So, authors with limited funds may need to put their money first into Developmental editing and then into Line editing.

Novelists need editing. Here are lists of tasks each type of edit performs. Click to tweet.

What are other tasks your editors perform?

Secrets to Creating a Successful Box Set—Inside and Out

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Please welcome my guest, Marion Ueckermann, experienced in the ins and outs of box sets and one of the authors in the successful book set, SPLASH!. Be sure to learn more about SPLASH! and Marion’s novella, Orphaned Hearts, at the end of her post.

Box sets are a win/win for all:

 

  • Increased visibility — authors gain access to each other’s readers and social media circles.
  • Amazon’s bestseller lists — they rank well here, thereby ensuring continued reach (all contributing authors of SPLASH! are now ranking on Amazon’s Top 100 Authors in Religion & Spirituality, and have even all been in the top 40).
  • Readers get several books for next-to-nothing.
  • Authors make money — even with splitting the 35% royalty per copy sold, because enough readers take a chance.
  • Workload is shared.
  • Authors make great new friendships with each other, and new readers.

So how do you pull off publishing a great box set? First, there are important decisions to be made:

  • Prior to commencement

    • Genre?
    • Story length?
    • Brand-new titles or previously published titles?
    • How many titles in the set?
    • Theme?
    • Pricing? (Your goals for the box set will determine your price.)
    • Distribution—Amazon exclusive (Kindle Direct Publishing Select program), or other retailers, too?
    • Dates:
      • Pre-order?
      • Release?
      • Release of individual titles (if never before published titles)?
    • by geralt

      by geralt

      Deadlines:
      • Submission of ready-to-publish manuscripts?
      • Submission of individual covers?
  • During production

    • Choice of box set title and artwork
    • Financials:
      • Cover art costs
      • Advertising costs
      • Up-front payment or deductions from earnings?
      • Distribution of earnings to authors—an outside party to handle for a fee, or someone in the group?
  • After release

    • When to unpublish?

Then there’s the matter of front and back matter (and other matter). Each member needs the following information included in their submitted title (manuscript prepared for uploading):

  • Book description (long blurb)
  • Author bio
  • Author photo
  • Links to other published books
  • Copyright
  • ISBN information (if previously published)
  • Acknowledgements
  • Dedications
  • Cover art

They will also require a short blurb for marketing purposes.

Here are a few pointers to what a successful box set needs:

by ClkeFreeVectorImage

by ClkeFreeVectorImage

1.  Great Leader: Someone must lead the pack. For me, this is the No. 1 priority—having a leader who is:

• Knowledgeable.

• Preferably experienced in indie box sets.

• Has a mentor mindset.

SPLASH! is blessed with a knowledgeable and organized leader who has guided the authors through the planning, publishing and marketing waters, providing relevant information to ensure deadlines were met.

2.  Great Authors:

  • Choose authors whose writing you, or other authors in the set, know.
  • Choose authors who write in the same genre as the set.
  • Great authors bring five star reviews.

3.  Great Discipline:

  • Dedication to the project.
  • Disciplined to meet deadlines.
  • Committed to participate.
by geralt

by geralt

4.  Great Teamwork in:

  • Checking the final box set file, ensuring links work and scanning for minor errors or formatting issues to finalize the manuscript prior to Amazon pre-order deadline.
  • Marketing the box set in social media circles through blog posts, tweets, Facebook postings, obtaining reviewers, etc.
  • Brainstorming together.
  • Encouraging one another.

5.  Great Communication:

  • You’ll need a place to interact—create a closed Facebook group.
  • Keep conversations to relevant threads.
  • Save all documents and artwork to the Facebook group folders—deadline checklists, submission guidelines, covers, memes, etc. 
by geralt

by geralt

6.  Great Title:

  • A theme makes it easier to decide on a title.
  • Ensure your title’s a good fit, will hook readers and offer great marketing possibilities.
  • The title will direct cover art choice.

7.  Great Cover Art:

  • Hire a professional cover artist—it doesn’t need to cost a fortune and will be worth the money spent.
  • Group members to give input and agree on:
    • Designer
    • Stock photos
    • Style
    • Content

(Cover art for individual novellas are the authors’ responsibility)

  • Don’t finalize the box set’s cover art until the final manuscript submission deadline has passed—life happens…authors drop out.

8.  Great Marketing:

  • Release at an appropriate time—SPLASH! is a collection of water-themed summer reads, so released the beginning of summer.
  • Place advertising timeously—SPLASH! avoided advertising running into autumn.
  • Create fun memes for the box set, as well as individual novellas, and use extensively in social media to create awareness.
  • Have a fun Facebook party on release day.

Interested in writing for box sets? Here’s what you need to know—inside and out. Click to tweet.

WARNING: Box sets are FUN and highly addictive!

I was privileged to be part of a box set collection, SPLASH!, which released June 23rd . With the following Amazon.com rankings, I can say this set has been very successful:

  • #1 in Kindle Store > Kindle eBooks > Literature & Fiction > Religious & Inspirational Fiction > Christian > Collections & Anthologies
  • #1 in Books > Christian Books & Bibles > Literature & Fiction > Collections & Anthologies
  • #2 in Books > Christian Books & Bibles > Literature & Fiction > Romance > Contemporary

We’ve seen similar top rankings for SPLASH! with Amazon UK, Australia and Canada.

Orphaned Hearts FinalWill his past, or her future, keep their hearts orphaned?

When his wife dies in childbirth, Zambian conservationist Simon Hartley pours his life into raising his daughter and his orphan elephants. He has no time, or desire, to fall in love again. Or so he thinks.

Wanting to escape English society and postpone an arranged marriage, Lady Abigail Chadwick heads to Africa for a year to teach the children of the Good Shepherd Orphanage. Upon her arrival she is left stranded at Livingstone airport…until a reluctant Simon comes to her rescue.

Now only fears born of his loss, and secrets of the life she’s tried to leave behind, can stonewall their romance, budding in the heart of Africa.

 

Purchase links:

Amazon

Barnes & Noble

iTunes 

Kobo

Inktera

 

Other Titles by Marion Ueckermann

Passport to Romance

Helsinki Sunrise (2014)

Oslo Overtures (2015)

Glasgow Grace (2016)

I’d love to interact with readers at any of the following places:

WEBSITE       http://marionueckermann.com/

FACEBOOK  https://www.facebook.com/Marion.C.Ueckermann

AMAZON     http://www.amazon.com/-/e/B00KBYLU7C

GOOGLE+     https://plus.google.com/+MarionUeckermannAuthor/

TWITTER      https://twitter.com/ueckie

PINTEREST   https://www.pinterest.com/ueckie/

Follow the tour tomorrow:

Friday 17th ~ Friday Weekend Escape to Zambia

@ http://narelleatkins.wordpress.com/

 

Marion Ueckermann1 - SMALLERMarion Ueckermann’s passion for writing was sparked in 2001 when she moved to Ireland with her husband and two sons. Since then she has published devotional articles and stories in Winners, The One Year Devotional of Joy and Laughter, Chicken Soup for the Soul: Miraculous Messages from Heaven.

Marion loves writing Contemporary Inspirational Romances set in novel places and has three Passport to Romance novellas published and contracted through White Rose Publishing, a Pelican Book Group imprint: her debut novella, Helsinki Sunrise; Oslo Overtures (August 2015); and Glasgow Grace (2016).

She lives in Pretoria East, South Africa in an empty nest with her husband and their crazy black Scottie, Wally.

Things to Consider in Selling Your Book at Festivals & Flea Markets

But making money at fairs and shows isn’t as easy as it seems. It requires research, planning and the ability to keep a smile on your face while standing on your feet for long hours. And that’s not for everyone.— Rosalind Resnick

by Hans

by Hans

This spring, I took Calculated Risk, my inspirational contemporary romance, and my two books of Contemporary Christian short stories to festivals and a flea market. Consider these observations and experiences in your marketing plan.

by ClkerFreeVectorImages

by ClkerFreeVectorImages

 

1.  Music Festivals

 

•  If the primary draw is music, interest in any kind of vendor was much less than at flea markets I’ve attended. Attendees of music festivals come to listen and dance to the music.

by OpenCLipartVectors

by OpenCLipartVectors

 

•  Because of the folksy atmosphere of music festivals, readers and tourists who attend such functions tend to gravitate to books based on history, activities, or other subjects related to the area.

 

2.  Book Festivals

 

  • The first one I attended was part of a music festival. (See Music Festivals)
  • The second one assigned an author to each store on a quaint town’s Main Street.

•  I did better than the other authors. Why? I sat in the back of a friend’s art studio, where she was teaching an art class to children. The salesperson was to send back book-fest wanderers. All my sales came from the storeowner, salesperson, and the parents and grandparents of the children. None were part of the fest.

•  Long-term road construction outside of town hampered people in the golf community, the town’s main source of sales, from coming to the book fest.

 

by geralt

by geralt

 

3.  Flea Markets

 

•  Unlike music festivals, people who attend flea markets are looking specifically to spend money at vendor stalls.

•  Probably less than 10% of attendees are book lovers.

•  The local flea market had considerably less people flow through than any of the music festivals. Yet, I sold more books at the flea market than at any one festival.

 

4.  Success Can Be Something Other Than Sales

 

•  Book-related professionals seem to attend book festivals looking for authors. I met four.  

•  At a book and music festival, I received two author event invitations. One from a library representative, and one from a bookstore manager in a larger city.

•  At a book fest, a used bookstore owner invited me to stop by and talk to her. I will.

•  At the festivals, I met other authors, and we shared contact information. Often authors in the area will alert you to other opportunities.

 

5.  Book Sales & Expenses

 

•  Unless your book is based on history, activities, or other subjects related to the area or you’re a great salesperson, expect to sell few books.

Calculated Risk by Zoe M. McCarthy•  I sold more of my short story books than my romance novel, Calculated Risk. Possible reasons:

•  The short story books were less expensive.

•  The short stories appealed to people who don’t have the time to read novels.

•  Romance appeals to only a subset of mostly women.

•  The music festival in which I sold the fewest books charged $25. The others were less or free.

•  The music festivals required I bring a 10’x10’ canopy and table.

Before spending time or money on festivals & flea markets consider these things. Click to tweet.

What has been your experience in selling books at festival and flea markets?

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American Christian Fiction Writers

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