“If I come across anything in my work that smacks of ‘good writing,’ I immediately strike it out.” —Elmore Leonard
Who Said It
Most writers have heard British journalist, critic, and novelist Sir Arthur Quiller-Couch’s saying, “Murder your darlings.”
Quiller-Couch (1863-1944) said: “Style, for example, is not—can never be—extraneous Ornament. … Whenever you feel an impulse to perpetrate a piece of exceptionally fine writing, obey it—wholeheartedly—and delete it before sending your manuscript to press. Murder your darlings.”
Who Didn’t Say It (except in different words)
Collectively, the authors of several articles mentioned the quote has been attributed to:
W. H. Auden,
Scott Fitzgerald, and
This makes a point:
“But it’s not surprising that other smart, successful writers would echo the professor’s suggestion. After all, they know the inevitability of getting a little blood on their hands.” —Daphne Gray-Grant
What It Means
“Eliminate all words or phrases, no matter how pleasing, that draw undue attention to themselves (or the writer) at the expense of the narrative flow.” —David Corbett (Writer’s Digest May/June 2013 “Clearing Out the Clutter”)
“Darling” writing—and by that I mean writing that is clever, self-conscious, inappropriately literary or writing that otherwise calls undue attention to itself—usually sounds forced and labored.”
Why Writers Write Darlings
“When you start out, every word you write is precious. The words are torn from you. You wrestle with them, forcing them to express what you’re trying to say. … To you the writing shines with inner radiance and significance.”
“It says, ‘look at me,’ instead of, ‘keep reading.’” —David Corbett (Writer’s Digest May/June 2013 “Clearing Out the Clutter”)
“When you’re in love with what you’ve written you’re like the 16-year-old who can’t spot the flaws in her own boyfriend. … ‘Darling’ phrases, if we’re honest, are usually about showing off a bit.” —Daphne Gray-Grant
How to Deal With It
“It is a metaphor for how you should behave toward your writing while you are revising it. The idea is to proceed objectively without sentiment. Just like you would if you were to kill a loved one.” —Seth Fried
“But after a while [after editors hack your darlings], you realize you’re being helped. That it’s not the words that matter so much as what you’re trying to communicate.” —Rob Parnell
“Try to train yourself to read your own work as a disinterested party … Read your work out loud.” —David Corbett (Writer’s Digest May/June 2013 “Clearing Out the Clutter”)
My heroine opens the door to a new neighbor. He hurt her in high school, but he doesn’t recognize her now.
“Do you have a razor blade I could borrow?”
“Not if you’re contemplating slitting your wrists.”
An insensitive comeback to the character and possibly the reader.
“Sugar, yes. Razor blade, not so sure.”
Sometimes you need to take an axe to your “clever” writing. Click to tweet.
What is a darling you had to murder?