10 Essentials I’d Pack for a Three-Week Writing Retreat

image by MikesPhotos

Suppose you were offered a three-week stay at a comfortable hideaway to write a book. What ten things would you take? Here’s my list of essentials and why I’d need them.

1. Rules of engagement.

I’ll post these rules in a visible spot:

  1. Nix thoughts about problems or upcoming events. Bring a taser to punish infringements.
  2. Lock my cell in my car or rental. Use for emergencies only. Running out of underwear is not an emergency.
  3. Eat out only once a week. Fast food only.
  4. Forget social media exists. Check emails only twice a day.

2. My two laptops, portable printer, chargers, and a ream of paper.

  • Free-Photos


    If one laptop gets overheated, I can open my manuscript on the other from Dropbox.
  • I can look at research on one laptop while I type on the other.
  • Sometimes I need to have a printed version to highlight items or put check marks on. It’s a feel-good thing.

3. Hero’s Journey Outline and Description.

I use this tool to roughly plot my entire story quickly. I’ll write the story by the seat of my pants from the this outline.

4. Printed blank calendar.

  • I’ll print the month sheets for the time period covered in my novel.
  • Using my Hero’s Journey outline, I’ll jot story events in the calendar boxes in pencil. The calendar helps me avoid contradictory, awkward, or impossible timing of events.
  • I’ll tack the sheets to the wall to easily see the layout of events as I progress my story.

5. Scrivener.

  • Scrivener is my writing software. I use a fraction of its functions, but I like the ease of creating a manuscript.
  • The sidebar shows me all my named scenes so I can quickly find the scene I want to check or edit.
  • Getting word count for manuscript, chapters, or scenes is a snap. So is moving scenes from one chapter to another.
  • I can copy research into named folders under the research folder.

image by libellule

6. Dictionary and Thesaurus.

  • I use my Mac dashboard, Microsoft Word, and Scrivener dictionaries and thesauruses. It seems like I check every other word’s definition and hunt constantly for synonyms.
  • I want my hard copies of The Merriam-Webster Dictionary (my editor uses this one) and some specialized dictionaries.

 

7. My writing grammar books and manuals.

I can never remember some grammar rules and style preferences, and new grammar questions arise.

8. Google and Research Notes.

I do look-ups on google for how, when, where, who, why, and what of things from pigs to names of tie knots.

9. My “Love” Playlist.

I need silence when I write. But I write romances, so sometimes I like to listen to my favorite love songs while I write those romantic scenes.

10. My editing checklist. 

I have a comprehensive checklist, which will be published in my upcoming book, Tailor Your Fiction Manuscript in 30 Days. It’s designed so writers can customize the checklist to their problem areas and where they need reminders.

Bonus: A local pizza delivery telephone number.

I’m sure I’ll get tired of soups and snacks.

Ten essentials I’d take on a three-week writers retreat.  Click to tweet.

What would you take on your three-week writing retreat?

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Candace Parks lives a passionless life in Richmond, Virginia. The computer programmer returns to the empty family home in the Blue Ridge Mountains to evaluate her job, faith, and boyfriend. Her high school crush, star football player and prom king Trigg Alderman, is in Twisty Creek visiting his grandmother who lives next door to Candace’s family home. He doesn’t recognize her at first and remembers little about her. He’s not alone. Candace’s rekindled attraction to Trigg adds unexpected complications to finding her passions. Sorting her life out? How about nothing of the sort!

What Do You Want to Say and Where Are You Going?

 

 

My guest today is Linda Rondeau. To learn more about Linda and her book, Hosea’s Heart, be sure to read her bio and book blurb after her post.

 

Linda: Trying to weed out all those typos, punctuation errors, and formatting foibles can drive a person nuts. Rest easy. Copy editing will come much later.

Perhaps the two most important aspects to work on during your early revisions is defining your message and knowing your key plot events to keep your story clear and purposeful.   

Remember your message

Often, a story falters because the author forgets why he/she has written the work in the first place. Sometimes the author is carried away by the brilliance of their own writing and fails to realize that said beautiful passage has nothing to do with the story’s main idea. In order to stay focused, an author needs to have a clear understanding of their manuscript’s purpose. Ask yourself, “What do I want my reader to take away after spending time in my book?”

Perhaps your intent is to entertain. That is perfectly acceptable. Everyone needs diversion or a good laugh. Perhaps your purpose is to bring a thought or ideation regarding a social issue. At the turn of the century, The Jungle, brought attention to the inhumanity of the meat-packing industry. Uncle Tom’s Cabin inflamed the growing abolitionist movement. My book, Hosea’s Heart, will hopefully bring sympathy toward those who are caught in addiction’s grip.

Knowing the why you are writing this book will help you develop your manuscript in a way that keeps a reader engaged.

Know where your story is going

A second reason a manuscript wanders is because the author has failed to develop a cohesive plot that is consistent with his/her purpose.  There are many books that offer guidance on plot development. Whether using a skeleton format, a three-act or five-act format, or a train concept of plotting, I have found that these five key plot points keep my story moving forward at a good pace.  

  1. Initiating Event: where we are introduced to the character(s). (Katniss gets ready for her day and sings to her sister, establishing their all-important relationship.)
  2. Inciting Event: something happens to propel your character out of his/her normal world and begins his/her internal or external conflict. (Katniss volunteers as tribute to save her sister.)
  3. Crisis Event: the critical event that cements the character’s further decisions and actions. There is no going back and your character can only move forward. (Rose gets out of the last lifeboat and rejoins Jack in the doomed Titanic.)
  4. Climactic Event: the event that causes your character’s final battle with internal or external conflict. (Prince Charming slays the dragon. Luke uses the force to destroy the Death Star.)
  5. Denouement (or Resolution): tying up all the loose ends in a satisfying conclusion. (Luke and Hans are awarded medals by Princess Leia.)

Once you’ve established your message and your plot, other elements (dialogue, characterization, setting, and point of view) will be developed to support your message and be consistent with your story development.

Consider your story’s purpose, message, and plot points.  Click to tweet.

Questions? Comment below.

“Heartwarming stories that keep you reading from the first to last page,” say critics regarding award winning author, LINDA WOOD RONDEAU’s novels. A veteran social worker, Linda now resides in Hagerstown, Maryland. Hosea’s Heart is her eighth novel and fifth with Elk Lake Publishing. Readers may visit her website at www.lindarondeau.com. Contact the author on Facebook, Twitter, PinterestGoogle Plus, and Goodreads.  

 

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How much should a wronged husband forgive?

Aubrey Beaumont has spent the last fifteen years in search of his runaway, drug-addicted wife. Now a respected Silver Spring pastor and chaplain, ready to give up and move on, his life takes unexpected turns when she suddenly contacts him. Terminally ill and having found faith, she begs Aubrey’s forgiveness. How can he overlook her past prostitution and liaison with one of Washington’s most vicious drug lords?”

Grateful for a chance at reconciliation, Joanna Beaumont prays that her seemingly wasted life might serve some purpose in her final days. Perhaps her testimony against her former lover’s cartel will bring her the peace she craves.  

Joanna and Aubrey’s paths will crisscross the Capital District’s underworld where they discover how God weaves threads of failure into tapestries of hope. 

“This gripping story will pull at your heartstrings. Linda Wood Rondeau weaves a poignant tale of tragedy, triumph, forgiveness and love in a moving novel full of suspense, romance and redemption.”

View a trailer on Linda’s website.

Is All This Writers Platform-Building Work Going to Pay Off?

image by PIRO4D

Have the following statements rung in your ears? “You must have a website, faithfully write blog posts, and be chummy on social media. You should acquire guest-blog invitations, hold launch and Facebook parties, and schedule bookstore signings. Sign up for author-promotion-site activities, buy online ads, and build your email list…”

And the list continues.

Although discerning which activities are the reasons your books sold is difficult, you’ll need to do self-promotion activities. That said, I’ll share the best-advice nuggets I hear repeatedly.

1. Do the activities you enjoy.

by Hans

I prefer the negative on this one. Don’t do activities you hate. For my first book, I manned tables at fairs and festivals. While other authors sold several books relating to the area of the festival, I sold two or three romances. I hated sitting at the fair for hours, trying to engage people in what they weren’t looking for. Now, I attend only book fairs.

I enjoy teaching writing and spiritual workshops. I’m content if I sell only three books, because I had fun and helped others.

After doing uncomfortable activities several times, we learn the ropes and relax. At first, I was uneasy and disliked book signings. Now, I realize it’s not about me and my books so much as it’s about enjoying talking to readers and finding out what they like to read.

2. Write more great books.

If you have one book, you’re most likely still green in platform building, so readers don’t know who you are. When they see your book on Amazon, they may fear they’ll like your book but there’ll be no more to buy. So they look for authors with multiple books.

When you have multiple well-written and edited books, not only will readers buy that first book, they’ll occasionally check to see if you’ve released another book. Best not to disappoint them. So, books sell other books. Do everything you can to learn how to write great books.

For example, after I had two books out, an award winning author, who liked my first book, invited me to write a book for a collection. The collection introduce my book to readers.

image by gate74

3. Strive for a mix of online promotions and face-to-face events.

For me, I prefer online promotions. They allow me more time to write. But I’ll continue to teach workshops and schedule book signings.

 

4. Have some things from the “should list” going all the time.

Some things going, not everything. Before you know it, people will know who you are.

For example, six years ago before my first book released, I created a blog. I wrote posts on creativity. Nine visitors excited me. When my first book contracted, I purchased a professional website. Because I love learning and teaching, I focused my blog posts on writing. My blog is not a superstar, but every year the average number of visits a day increases. Now, my posts get mentioned on other blogs, and I was encouraged to write a book on writing. A publisher contracted the book and it’ll release this year.

Best advice I’ve received for platform building and its payoff.  Click to tweet.

What advice have you found helpful to you?

Buy Link

Candace Parks lives a passionless life in Richmond, Virginia. The computer programmer returns to the empty family home in the Blue Ridge Mountains to evaluate her job, faith, and boyfriend. Her high school crush, star football player and prom king Trigg Alderman, is in Twisty Creek visiting his grandmother who lives next door to Candace’s family home. He doesn’t recognize her at first and remembers little about her. He’s not alone. Candace’s rekindled attraction to Trigg adds unexpected complications to finding her passions. Sorting her life out? How about nothing of the sort!

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American Christian Fiction Writers

American Christian Fiction Writers

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